![]() Have your guitar/keyboard player and singer record scratch tracks to the click (at the exact BPM you will use for the song). There should be no debate about how to get out of the bridge when you're tracking. You want to rehearse the studio version of your songs to the point where you could play them in your sleep. Working out as much as you possibly can before you step into the studio (on the clock) will save you a tremendous amount of money. This is an incredibly important aspect of your recording process. Here are my suggestions about how to approach the recording process. Still, it's important for independent artists to make the most of every recording session. So much more goes into a band's success these days than just the quality of your music. It doesn't even necessarily give you a leg up. Where and with whom you record does not guarantee stardom. ![]() You can get virtually anyone to work on your project and record in virtually any studio in the world if you can pay for it. The most important thing I've learned about the recording process: It doesn't matter who works on it, it matters what the finished product sounds like. So many bands get approached by "big time" producers with their long list of "big time" credits who explain they will give you the privilege of working with them - for a fee, of course. I've sat in on famous A room sessions and home studio sessions, and I've worked with Grammy winners, students and everyone in between. I've recorded four full length albums, an EP, many singles ( see YouTube), two live albums and countless demos. ![]()
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